Your logo, alive: twenty-four ways to draw it, from pixel tiles, characters, halftone and dither to liquid metal, glass, holographic foil, aluminum, letterpress, contour lines, neon, light rays, stained glass, embroidery, clay, velvet, marble, smoke, bokeh, crystal, pearl, kintsugi, ridgelines and paper cut, with eight ways for the pointer to play.

Livemark

A colour halftone: three inks on screens at their own angles overlap into rosettes, each dot one sampled tone as in a real print. The pointer slides the plates out of register.

Halftone

A smooth field quantised to five levels through a computed 4x4 Bayer matrix. Fixed cell size in device pixels, so the texture never scales with the canvas.

Dither

Twelve smoothly morphing forms, from geometric solids and elongated rings to organic lobes, lit and printed in ordered Bayer pixels, a 45° halftone or surface-stable dots.

Dither Morph

A softly folded sheet shaded in evenly scattered ink dots: small dark dots on pale paper where it is light, pale specks on deep ink where it falls away. The folds roll slowly and the dots only grow and shrink; the cursor presses a dent.

Stipple Relief

A row of flames that puff, climb and lick the way buoyant fires do, pulled down the frame by an actual line integral, torn into lanes by the nicks in the blade, with the grain sitting on the print.

Pixel, dither and halftone effects

Livemark

Halftone

Dither

Dither Morph

Stipple Relief

Pulled Ink